“Minimal, of course, was the straw that overflowed the glass of Red Bull,” writes Philip Sherburne in his jeremiad on the state of electronic dance music. Scapegoat or no, in the last 18 months, the ubiquitous and yet strangely ephemeral genre has become a lightning rod for every conceivable critique. It’s too soulless. It all … More RETURN TO THE FAIRGROUND (The Mire)