NAMING AS PORTALS (The Mire)

Speaking of postpunk autodidacticism, Owen Hatherley picks up on what I too thought was of the most interesting lines in Mark Sinker’s Sight & Sound review of Grant Gee’s Joy Division film: Curtis’ own writing was a teen scrapbook of anti-pop titles and sensibilities (‘Interzone’, ‘Atrocity Exhibition’, ‘Colony’, ‘Dead Souls’, invoke Burroughs, Ballard, Kafka and … More NAMING AS PORTALS (The Mire)